Dec 15, 2010

2012 Companies and Countries Announced

The four US companies participating in this season’s DanceMotion USA are:

Jazz Tap Ensemble, based in Los Angeles, California, will tour in Mozambique, Zimbabwe, and the Democratic Republic of Congo

Rennie Harris PureMovement, a hip-hop dance company based in Philadelphia, Pennsylvania, will tour in Egypt, Israel, and the Palestinian Territories

Seán Curran Company, a contemporary dance company based in New York, New York, will tour in Kazakhstan, Kyrgyz Republic, and Turkmenistan

Trey McIntyre Project, a contemporary dance troupe based in Boise, Idaho, will tour in China, South Korea, Philippines, and Vietnam


US Department of State and BAM announce Season Two of DanceMotion USA

Brooklyn Academy of Music (BAM) has again been selected by the US Department of State’s Bureau of Educational and Cultural Affairs (ECA) as grantee and administrator of the second season of DanceMotion USA. This cultural diplomacy program, which shares the United States’ rich dance culture with international audiences, sends four American dance companies on cultural exchange tours to four world regions beginning in early 2012.

Building on the success of the pilot season, the upcoming season will also feature one additional US company, thereby enhancing its reach to global audiences, especially those in underserved areas. It will also include a US-based cultural exchange, in which an international dance ensemble will travel to the US to share its culture through dance as well as experience American culture firsthand.

Read the full DanceMotion USA press release
Read the Department of State press release
Read the Wall Street Journal's related coverage of DanceMotion USA 

2012 DanceMotion USA Tour To Include Enhanced Programming

DanceMotion USA will again offer innovative, high-caliber artistic work to global audiences that might not otherwise have access to performances and related educational activities from established American artists. Companies will perform and participate in outreach events, workshops, master classes, media interviews, and discussions with international artists and local audiences in a wide variety of venues and settings—all of which serve to deepen engagement between international and US artists and audiences.

This year’s program will add additional activities, including arts management workshops for in-country partners and venues. Building on the success of the pilot season, the upcoming season will feature one additional US company, thereby enhancing its reach to global audiences, especially those in underserved areas.

Enhanced programming will also include a US-based cultural exchange, in which an international dance ensemble will travel to the US to share its culture through dance as well as experience American culture firsthand.

Read the full DanceMotion USA press release
Read the Department of State press release
Read the Wall Street Journal's related coverage of DanceMotion USA

Aug 11, 2010

Dance Motion USA 2010, a recap

3 companies
9 countries
12 U.S. embassies & consulates
16 cities
21 public & student performances
33 artists
89 days
104 exchange & education activities
585 books & DVDS distributed to 27 libraries
11,000+ unique web site visitors
15,220 audience members & participants
553,469 air miles
1,000,000+ media impressions


From January through March 2010 ODC/Dance, Evidence: A Dance Company and Urban Bush Women spread out across the globe as the inaugural artist-diplomats of DanceMotion USA(sm). The stats above are nifty, but the stories told by the dancers in this blog provide the more compelling record. And these figures can only hint at the power of the interactions and the impacts of these exchanges for audience members, workshop participants, peer artists, and students. After the tours ended we asked our host Embassies and their in-country partners for their feedback. Here are some of their comments:

“It is rare to find a performance company that is able to combine their passion for the stage with an ability to be strong agents for cultural diplomacy. [Evidence] scores top points for their versatility, passion, talent, skill and the ease with which they engage with youth from another continent.” —Grahamstown Festival, Grahamstown, South Africa

“The goodwill created by UBW was very powerful. The work was deep in meaning…It connected with the African roots of Venezuelans and it showed the diversity of American culture. Some audience members were so moved by [the piece] Walking with Pearl…Southern Diaries they cried during the performance.” —U.S. Embassy, Caracas, Venezuela

“The ODC dancers were true diplomats and the best representatives of our country.” —U.S. Embassy, Rangoon, Burma

And here are some responses from the media….

In her blog review about ODC’s Bangkok performance, Pawit Mahasarinand of Thailand’s The Nation wrote: “It’s delightful, always, to be able to watch a world-class company perform. People were again left wondering why we see [so few] shows from the U.S.”

Nigeria’s NEXT covered Evidence in its performances at two different Lagos venues: “The evening with Evidence was a display of seamlessly tailored moves drawn from traditional Latin American, West African, and Caribbean dance cultures woven into original, more contemporary dance steps. The dancers’ talent and [Ronald K. Brown’s] creative ability culminated in show-stopping performances.”

Of Urban Bush Women’s performance in Cartagena, Colombia’s historic Teatro Adolfo Mejia, El Universal wrote: “We need only three words to describe the experience: extraordinary, shocking, sublime.”

The inaugural activities of DanceMotion USASM were the culmination of two years of work from the initial proposal to submission of final reports. Lisa Booth and I extend our thanks to Brenda, Jawole, Ron and their extraordinary dancers and staffs, our US Embassies and in-country partners abroad and, especially to all at BAM, the finest Producer with whom any General Manager could hope to partner.

Stay tuned for news about the program’s future in the coming months.

—Deirdre Valente, VP, Lisa Booth Management, Inc.

Apr 2, 2010

UBW in Brazil

The US Consulate in São Paulo put together an excellent video about Urban Bush Women's visit to the Brazilian city. Watch it below, or on their YouTube channel, and be sure to check out the US Embassy's Flickr page for over 80 photos from UBW's time in Brasilia and São Paulo, as well.



Urban Bush Women in São Paulo (YouTube)
Urban Bush Women no Brasil (Flickr)

Apr 1, 2010

UBW: People in the World Together

“Buenas” or “Bom dia” as they say here in Brazil. This is Jana, executive director of Urban Bush Women. Right now we’re beginning our final day here in Brasilia, Brazil, the last of two cities (São Paulo was first) in our last of three countries for this memorable inaugural DanceMotion USA tour.

It’s been a fast and amazing journey and now that it’s drawing to a close, I’m feeling wistful for the people we’ve met. It’s that odd feeling of missing people yet knowing they will be with you always. What makes the feeling even more powerful is thinking about our purpose here of cultural exchange. I’ve gained a deep appreciation for just how connected our world is today and an affection for the people who have made it their life’s work to connect us more intimately either through their art or their diplomacy.

When we arrived in Caracas, our incredible hosts, Sally and Elena, gifted us with a beautiful bag that included a jazz CD by Pablo Gil, the same Pablo my jazz pianist friend Edward Simon had suggested I reach out to in Caracas. Pablo came to our show, relieved he and his family had survived the earthquake in Chile and happy to be invited to connect with me and my jazz friends when he visits New York City.

Sally also gifted us with her (now) famous homemade rum cake and the treat of meeting her housekeeper, Rejoice, a lovely lady from Ghana who was delighted to meet our dancer Meghan, whose husband is from Ghana.


After taking us to the lovely colonial village El Hatillo, Sally threw us an impromptu party in her home, and Rejoice made her tasty olive poppers (which we now call rejoices in her honor and will be bringing back to America; although she refused to give us the recipe, so we’ll have to do some kitchen experimentation!).

Square in El Hatillo

The morning of our departure, Sally and Elena treated us to our last delicious arepa (cornmeal fried and wrapped around filling of your choice – ham, cheese, chicken, eggs) and a misty-eyed send-off. These women went above and beyond the call of duty, as did our incredible drivers, our sparkling interpreter and translator, Cheryl Coello (una nueva Urban Bush Woman por vida!) and the amazing teachers and students we met, whom other UBW bloggers have mentioned.


In Colombia, our Embassy host Marlene was another incredible, warm woman who put together a terrific plan of activities for us that allowed us to meet local dancers, students and arts and community leaders in Cali and Cartagena. We were very impressed by the Centro Colombo Americano (called the BNC), which works to teach English and connect the Colombian community with Americans.




We taught a great dance class there and held a powerful conversation too that veered from dance to America to race. The funniest moment was when we asked where people were from and a guy yelled out, “Brooklyn!” Brooklyn pride is worldwide! We send our gratitude to everyone at the BNC but especially to JoEllen and Michael for their great leadership and to Camilo and Julian for taking us out salsa dancing!


A lasting relationship was begun with the dynamic Gloria Castro Martinez and the phenomenal dance program and school she created and runs with Roberto Duran and their amazing staff .

Gloria of Incolballet and Jawole

Called Incolballet and based in Cali, the program takes young people mostly from impoverished backgrounds and uses dance as the foundation for providing a disciplined, structured environment in which they study everything from math to science.



Her program clearly has provided countless young people with a new path for their lives, and Incolballet has become the most respected dance company in the country. We were excited to have her students attend our rehearsal. Their buzz of energy lit up the beautiful Teatro Municipal theater! As their country slogan declares, “Colombia es pasión!”



Upon arriving in Cartagena Saturday night, we couldn’t help but notice something large and shimmering out of the right side of the bus – the ocean! It was a marvelous site especially coupled with the outstanding old walled city.


Wow! As one of our dancers said, “This place is like the real Disneyworld!” We had a memorable welcome at our hotel by this regal toucan and then an outdoor dinner in San Pedro Plaza.


The next day, Sunday, we had a rare day off and headed to the beach, which was a beautiful and comical experience at the same time.



A parade of vendors came our way, using every charming plea they could muster to get some business. Jawole and I took them up on the fried fish, which was amazing! A nice cold beer would have topped the meal off, but it was election day and therefore, “ley seca” was in effect. The “dry law” mandates that no alcohol be served or consumed in public election weekend from Friday 6pm to Monday 6am!

Workshop, Universidad San Buenaventura, Cartagena

Again the world seemed so small as later in the day, I was reading Gabriel Garcia Marquez’s “Love In the Time of Cholera” (I took it to Colombia to honor this Colombian genius) when someone at the hotel told me his house was right next door AND that he was in town! Jawole even made a plea on La Universidad de Cartagena radio station for him to come out to our show…unfortunately, it seems he wasn’t tuned in that day.


The show at Teatro Adolfo Mejia (still called Teatro Heredia by the locals) was wonderful and lively, filled with the friends we had met teaching at the BNC Cartagena, the Universidad de San Buenaventura and the exceptional program, Colegio del Cuerpo. Run by the megawatt leader, Alvaro Restrepo, Colegio del Cuerpo (College of the Body) is just that – like a PHd program for connecting the mind and body and spirit, as we discovered on a very special day on Baru Island with the Fundación Educativa Instituto Ecológico Barbacoas, which incorporates Alvaro’s work into its overall educational programming for over 800 school kids.




We couldn’t thank our Embassy hosts, Rex and Marlene enough for making our exchange with Colegio del Cuerpo and that visit possible. It hit us hard that dance is really helping to save lives; that cultural exchange opens countless doors for all of us; and that just maybe, our individual exchanges with young people on this journey will be a defining moment in their promising futures. As the young Fayed said when I pinned him with a joined flag of Colombia and the United States, “You (US) / me (Colombia) / here.” Exactly.

-Jana La Sorte

Mar 25, 2010

UBW in Venezuela's Boletín Estilo Baile

Venezuela's dance publication Estilo Baile recently featured an interview with Urban Bush Women choreographer Jawole Willa Jo Zollar. She talks about the history of the company and how it has evolved over the past 25 years, and reflects upon their experience in Venezuela as part of the DanceMotion USA tour ("What's beautiful here is that men dance!"). Each of the seven dancers also discusses her individual experiences and growth as a member of Urban Bush Women.

Click here to read the article (in Spanish)

Mar 23, 2010

The New York Times: Dance for Diplomacy

The New York Times featured an excellent piece on Dance Motion USA by Roslyn Sulcas this past weekend. She accompanied Evidence: A Dance Company on many of their activities in South Africa, and interviewed members of Urban Bush Women and ODC/Dance about their respective experiences in South America and Southeast Asia. Read the article online:

The Soft Steps of Diplomacy

Mar 22, 2010

UBW: Geeking Out in Colombia

I am writing to you as I sit onstage at one of the most beautiful theaters I have ever seen. And I have seen a lot of them. Colombia has restored their 100 to 200 year old theaters with exquisite detail. Everywhere you look there is elegance. Angels coast overhead in the balconies and devils leer from the proscenium. Comedy and tragedy amuse each other on every arch and ornate wood latticework separates each section of the seating. One can imagine that it is hard for what is onstage to measure up to what is surrounding the audience.



Teatro Mejias in Cartagena

I have been lucky to have excellent hosts helping me out in Cali and Cartagena.

Night lights in Cali

Hernando, the lighting designer for Incoballet in Cali was my hero. He stepped in to help with the translation (not only linguistic, but also conceptual) of my work from paper to presentation. During our breaks, he took me around the city and showed me the breathtaking views of the lights of the city at night as well as the curviest streets that, during the day, are the proving ground for young skateboarders. One day he invited Christine and me to come to his house for lunch. There we saw the extraordinary house he and his family had built, complete with banana trees, avocado trees and a grapevine. Parrots called out from the garden and dogs bellowed out from the house. His father, an artist, had covered the walls with elegant drawings and quirky sculptures. I was amazed at how beautiful it felt to be surrounded by art and nature. The sounds of the city were far from this oasis. I was quite sad to depart Cali. It was great seeing the city and ‘geeking out’ with Hernando. It was the first time I talked tech with someone in a while.


Commuting in Cartagena

Here in Cartagena I have John as my host. He is the lighting designer for Colegio del Cuerpo – College of the Body. Colegio is an incredible place. Its basic mission is to create professional dancers, but its deeper mission is to help underprivileged children find a way out of the historical poverty of their families and neighborhoods by teaching ownership and pride in their bodies. To hear the directors speak about how they break through to the most guarded children who enter their doors is to understand that the work they do is not just about providing an intellectual or physical education, but also about creating an enriching and healing experience for all who enter their doors. Us included.

UBW at Colegio del Cuerpo

But I digress. John is busily trying to get my light plot hung whilst explaining my ideas to the crew. He even found extra equipment for me, so I am excited. This was going to be a very ‘bare bones’ production but now it looks like I will be able to create a richer look than originally expected. We'll see tonight!

Off to focus!

Hamburguesa en la noche

-Susan Hamburger, UBW Technical & Lighting Director

Mar 19, 2010

EVIDENCE visits Nike Okundaye at the NIKE ART GALLERY in Nigeria


Nike Art Gallery

On Sunday, March 7, 2010, we went to the gallery of the artist Nike Okundaye. Nike greeted us with a very warm and inviting welcome. The gallery was huge, white walls and several floors filled with very colorful and amazing art works of many artists. There were tons of paintings but there was also furniture, jewelry, fabrics, clothing, sculptures, beaded art work and the list goes on! As a visual artist, it was truly inspiring to be there and see the many ways each of the artists expressed themselves. The textures, vibrant colors, sand, beading, metal, so many elements included in each of the works! The way the fabrics were dyed and just the intricate detailing of how everything came together showed the deep passion and heart of every piece of work in the gallery. I was happy that those artists have a home to house their work for all to see and an advocate like Nike who can aid in their growth and development.

Inside the Nike Art Gallery

Oil painting on canvas

After viewing the gallery we sat down to talk with Nike and her husband. She had a spread of teas, coke, water, wine, and coffee for us to enjoy ourselves. She wanted us to feel like we were home. She also wanted to give each of us Nigerian names, which i was also very excited about!! Before she gave us our names, some other guests were entering the gallery and she stepped away for a minute to speak with them. At this time, her husband wanted to tell us more about Nike and the gallery. It was a blessing to hear him speak about the work of his wife and the testimony of her life. It was just confirmation for me that everything we do and go through, whether good or bad, with time will be a blessing to all!! God works out all things in the end, for our good!!

Learning the craft of dyeing

When Nike came back she gave us our names, each name fit us well and made us all smile!! After that, we all remembered some things in the gallery that really spoke to us that we wanted to buy. We were very excited and happy about our purchases and most importantly visiting the gallery of this amazing artist, Nike!! It was a great blessing!

EVIDENCE with Nike Okundaye and US Consulate

-Francine Ott

Mar 18, 2010

EVIDENCE first master class in Nigeria

March 6, 2010

Outside the Terra Kulture Center

Our first master class in Nigeria was at an arts center named "Terra Kulture". It was a class for about fifty children from ages four to eleven. For such a large group of kids, I think we were all expecting it to be a bit loud and rowdy as we entered the room. But they seemed surprisingly disciplined, the inside voices were on! We divided them into three groups according to age. I assisted Arcell with the four to six year olds. It reminded me of the creative movement classes I used to assist with in New York. Kids at that age are just so open and eager to learn. It makes teaching feel just that much more rewarding. And gives you a greater responsibility as they are also more impressionable. Even if they don't remember what we physically did in class, the experience will stick with them in its own way shape or form. They all did very well picking up what we showed them and seemed to enjoy themselves the entire time. After we gave the class we flipped the script and asked them to teach us. Most of them were a bit shy, but a few of the older children showed us some movements from different traditional Nigerian dances. It was a nice exchange and a great start to our stay in Nigeria.

Clarice learning a traditional Nigerian dance from the students

-Lilli Tai

EVIDENCE exchange with Flat Foot Dance Company Durban South Africa

Our first day in Durban, South Africa, began with a workshop at Kuzulu Natal University with the “FLAT FOOT DANCE COMPANY”. When we arrived, the company was very excited as they greeted us with big smiles and t-shirts. The day began with Ron teaching a 2 hour workshop. After a 10 minute break, One of the dancers taught us a few traditional Zulu dances and songs that lead to us forming a circle and taking turns improvising with the material we learned in a traditional setting. It was FUN!!! …the exchange did not end there. Another dancer who was also the veteran of the company taught a contemporary style of dance called Isipansula/Kwaite. Apparently it is the new dance craze sweeping across South Africa. We all had a great time learning the phrase, especially at the end where we all turned to the back and commenced in isolated butt contractions! We couldn’t help but break into laughter every time we did it.

Ron Brown talking to the dancers about performing

Ron Brown rehearsing with Flat Foot Dance Company
Soon it was time for lunch that was held in the performing arts library. We were served many Indian style finger foods due to the fact that the Indian population is so big. South Africa is home to the second largest Indian population outside of India. This was our time to communicate and share with the other dancers our experiences in Africa thus far. We also discussed the different views of arts and politics in South Africa. One thing was for certain, “funding” is a HUGE challenge for the arts and dance companies worldwide.

Kuzulu Natal University

The culmination of the day was an informal performance in a black box theater. FlatFoot Dance Company opened with a short piece in their repertory, followed by a joint performance of “Premonition”, EVIDENCE performing “Upside Down”, and at the end all of us performing the phrases that we had learned from earlier in the day. The result was “evidence” of a multicultural exchange between the two different yet enthusiastic companies both eager to share and learn.

EVIDENCE and Flat Foot Dance Company

Upon our departure from the performance, it was finally time to eat. We had an amazing seafood dinner overlooking the ocean. I had a local fish called Dorado over sweet potatoes. DELIGHTFUL!

-Annique Roberts

EVIDENCE visits a BIG 5 Game Reserve in South Africa

Today was our second day off of the tour, so we decided to treat ourselves on a Safari "BIG 5" Game Reserve Tour. We left the hotel in the afternoon and were driven to the Sibuya Game Reserve.

Sibuya Game Reserve is a 2300 hectare Big Five reserve conveniently situated near Kenton on Sea in the Eastern Cape along South Africa's Sunshine Coast, just 130 kms from Port Elizabeth and 150 kms from East London.

Uniquely, we journeyed by boat up the stunningly beautiful Kariega River Estuary, to a tented camp/dining area situated at the water's edge to experience an eastern cape meal that was DELICIOUS and perfectly matched with a lush outdoor ambiance. After we ate, we rode in a 10 seater open jeep onto the lush subtropical Eastern Cape Valley Bushveld and Coastal Forest which played host to one of the highest densities of wildlife on the continent. We were on our way to witness what was known to be one of the best game viewing experiences in Africa.

The scenery was breathtaking! We witnessed only yards away from us the African elephant, rhinoceros, giraffe, lion, cheetah, zebra, monkey and more. It was amazing to see the beauty of them all living and coexisting peacefully in their natural habitat. It was by far more fascinating than any visit to the zoo or circus that I had made as an adolescent. Initially we were honestly a little scared of how they would react when they saw us, but their relaxed nature let us know that they did not feel any danger from a jeep full of tourists snapping photos in awe. Once the sun was starting to head down, we enjoyed a pleasant boat ride viewed against an Indian Ocean backdrop which completed another truly memorable experience that we will ALWAYS remember.






Clarice, Dalila, and Annique

-Arcell Cabuag

Mar 17, 2010

EVIDENCE arrives in Durban, South Africa: "WORLD CUP FEVER!"

March 2, 2010

We arrived in Durban, South Africa. WOW!!!

The moment we arrived and entered the airport it was apparent that "WORLD CUP FEVER" was in the air.

Durban was one of the cities picked to host the games. They built a stadium in its honor and we could see construction and beautification of landscaping taking place in preparation for the many out-of-towners that would be here to witness. It was a happy time for the people of Durban because this would be an opportunity for the city to not only flourish with money from all of the tourists, but be an opportunity for "football" (soccer) fans to share in the joy of this historically popular sport.

Durban, South Africa, showing their pride in hosting the 2010 World Cup 

Although I am not an avid soccer fan, I couldn't help but feel the spirit from all of the propaganda. It honestly was very exciting to be in one of the cities where one of the biggest sporting events of the year was going to take place.

100th day to the World Cup countdown

While we were in Durban, we stayed at the luxury Sunset Coast Towers Hotel and Casino. Upon our arrival, they were celebrating the "World Cup 100 day countdown". Colorful soccer balloons filled the lobby joined with a staff all wearing jerseys representing their pride for South Africa. It was definitely a treat to be in such a nice hotel for just a few days after coming from a bed and breakfast in Grahamastown. We woke up to a delicious breakfast buffet, a fully equipped gym, and a GORGEOUS view of the ocean outside of our windows.

While in Durban we also had the opportunity to visit the African Art Center where we purchased South African books, jewelry, art, baskets, cards, and even finely beaded eating utensils.

Annique Roberts with the South African World Cup mascot

Another highlight was visiting the newly built stadium where we were able to buy souvenirs and gifts. It was a little difficult for us to leave. I felt like a little kid visiting the Disneyland gift shop for the first time, just wanting anything with the logo on it. I HAD A... "BALL"!!! (no pun intended...lol)

-Arcell Cabuag

EVIDENCE school performance in Grahamstown, South Africa

March 1, 2010

Today we had our 2nd performance here in Africa on our DanceMotion USA tour. This performance was different than Senegal. We performed to a full seat theater full of children from many different neighboring schools in Grahamstown. The reception was no different than the last show. The children were very excited within only the first 2 minutes. It was great!

Tiffany, Lilli, and Clarice

We performed "Order My Steps" and "Grace". Dancing for the children was exhilarating. They threw so much energy at us, we couldn't help but just give it back. It was honestly one of our best performances to date. Normally performing school shows you hear the loudest roar of screams when the lights turn off at the beginning of the show. This was not the case in this instance. They were loud and very vocal throughout.

Meeting the children and answering their questions

After completing the show, the children stood up and cheered. Many screamed out that they wanted to see more. Instead, we changed our clothes and had a Q and A so we could answer their questions and meet them face to face with the lights on. They were very well behaved and had many "smart" questions. One child spoke about how she liked how different we all were and how different we all danced but still belonging to the same family. Many asked if we could come back and wanted to be in the company when they grew up. The exchange we made at this show was short, but we know we must come back to continue to share and teach these children the legacy of this work.

-Arcell Cabuag