Joe Doran, our fantastically talented lighting designer and production manager, was asked to teach a couple of workshops in Astana during our time there. Here are his thoughts.
After a quick stop at the Pyramid Theatre, aka the Palace of Peace and Reconciliation, to begin set-up for the performance the next day, John and I were off to the University of Arts to work with the students. We arrived at the Humanities Building (an incredible, improbably-shaped building coined "The Dog Bowl"), and were met by a group of about 12 students, which then increased to around 25 students of various disciplines, ready to hear my workshop. The group turned out to be primarily musicians, singers, and actors, but also included couple of strictly technical students.
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| The "Dog Bowl"! |
Because of this, at the end of the session I was worried that I hadn't fully connected with my audience. However, as I prepared to take a break between classes I was approached by a wonderfully excited bunch of students who asked if i would come to see their small drama performance space in the 6th floor of the building. On arriving, I was surprised to find that they had all of 3 lights in the room: 2 professional lights and 1 very crafty homemade unit, and they were curious about how I thought they could best utilize what little they had.
We discussed many different possibilities and then headed to a computer room where I introduced them to a few websites where they could purchase new equipment to make the space better. It was very satisfying!
After the break, I continued on to my 2nd lecture on theatre management for another group of about 30 students, which I felt went about the same as the first. At the end of the day, I still wasn't convinced that the lectures were successful. However, later that evening I had a chance to speak with the director of the school at a cocktail reception with the US Ambassador to Kazakhstan we were invited to at the embassy. He was so appreciative and seemed really interested in taking my advice further and thinking more about the technical elements at the facility! I was even more reassured when one of the students, a young man named Murat, met me in the booth during the intermission of performance the next day. At the end of the show, he was so enthralled with the production and seeing all the elements that I had spoken about in practical use that I gave him some color filters to use at the school. He was so excited and thought it was a magical evening. He seemed so inspired and was determined to bring Kazakh dance to America with all the lights and spectacle. Speaking to him really made my day! I was so happy to feel like I had been able to connect with my students and share my knowledge and expertise with a new audience. It was truly a rewarding experience.


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